little luminosities

“. . . .Gleaming islands, and indeed whole continents, [that] can still add themselves to our modern consciousness—a phenomenon that has become itself the daily experience of the psychotherapist. Therefore we would do well to think of ego consciousness as surrounded by a multitude of little luminousities.” — Carl Jung

nothing left to fix you,

no leak to be plugged.

we sold our cures to the sky

for fear of what is above

but there's nothing left to fix you.

"...your initials on the bottom."

stay in the clouds.

the ether is your ether.

either

or

bury yourself from nine to five.

find the right cure or rely on

antidotes that lie in the alchemic stagnation of water at your bedside:

mud and water,

fluoride and chlorine.

"take two in the morning..."

For your little luminosities, carl—they only seem to illuminate like the streetlamps in this abyssal town;

what little they cast their light over need not be revealed for fear of casting out.

symbols—satyrs, saints, patrons—wane

salvation lies

in strings that connect us all, pull us to the sun

I've seen your islands go up in smoke,

(smoldering Galápagos),

yet i know there's still hope in your words.

if you are a split cistern, sister,

caulk your cracks

if your bottle is broken, brother,

collect the glass

i know you'd say that, carl, over a beer or a glass of wine.

you and

i know not what shines beyond this and that horizon,

across oceans of red-orange sparks,

but whatever lyricism we contain

falls victim to banality—mundane

in its fleeting rapture:

a lyric is a lyric,

a color is a color.

for this i am no builder, no architect;

i harbor no art.

the sum of my parts.

quell

close the door, let's make it last

we've had enough time to waste

you're calling my name down the hall

like you did when i was a baby

if we fall in love too fast,

we're sleeping just to wake

we are just fallen sons

who shame our fathers names

and judge love in quantities. but

enough to quell your taste,

to feel your rage

and though my hatred is still sated by

satyrs, saints, patrons, and passing life

an indignation that i must face alone to fight

a fever condemned to all of me

our bodies will tremble like paper planes

in the wind, frail

when we raise glasses

to toast the sky.

judging love in quantities, but just

enough to quell your taste,

to soothe your rage

and though my hatred is still fated by

fathers, farces, crosses, and liar's vows

i face this fate, i'm fated alone to fight

a benediction to my own right

alfred, what would you have said that day?

enough to keep me sane,

but i'm still worrying.

all these theories have come too late.

have i come too late?

and now were too late.

count your mistakes,

count your blessings.

for we have courage,

for we have color.

count your mistakes;

we're not running.

i'll always struggle to keep up.

anemoi

"progress is forfeit,"

or so you would sing.

relying on the wind to bring

all these things to air.

my own home is worthless,

a falter to beset.

but i was dumb and restless, yes:

a pious false prophet.

but now i awake and shake

in sheets i'll coat with sweat;

in every dream i recreate

the life that i have left.

all i offer to your sons and daughters:

"reach for nothing;

take what you create."

all i offer is laid out on the altar

carry us

terra, you were tearing up pictures and casting them to the wind.

as the waves wrote their scripture on the land,

and

the flames burned all their plans

to dance

along the shore.

we happened upon happenstance.

with you screaming at the sea,

i couldn't hear a thing.

but come raise your voice to me;

scream like you know my middle name--

my ears are an offering.

aria, are you just tired now?

speaking about how loud

your song would sound if the air would allow.

if the weather permits, you can always change it

for a change of pace.

some distance away,

you proved i've needed

some distance away.

carry on.

long before

what we called home was waiting

for you long before you came.

and, sister, on your way out,

can you repeat what i said?

have we grown up through this,

have we grown out from light?

do we change all we are to hide from mistakes?

like when your mother said,

"honey, i'm leaving.

decisions things take time,

decisions things linger on."

so i'll carve my way out

am i too late,

but not too late

to wonder what became of hope?

(this full circle

will always contrive our lives)

am i too late,

but not too late

to wonder what became of grace?

i don't owe you,

not one cent.

fuck your right;

it's all over now.

(now you're just sleeping on your own.

and where do we go from here, where do we stay?

in others' arms, what will we create?)

does time just stand still for us now?

do i change my direction?

do i wait?

homes (i)

claire will stumble down the stairs

and carry herself like molly bloom,

a clumsy waltz through every room.

i know so little.

i know so little.

i still miss your mother;

i swear she's almost here.

stumble through the door at four in the morning

like you knew she did the same

but you know so little.

oh, you know so little.

and she was sick,

when you were tried and tired,

vivid and alive,

with life.

we knew so little

we knew so little.

so i'll shave my face

and i'll stand up straight

like somebody else's posture

could keep me that way

so i'll shave my face

and i'll wash my hands

pretend that your grace

is half of what i am

so i'll shave my face

and i'll cut my hair

to sever resemblance,

to remember this severance

in my own way

but these dead cells are just that.

i am no maker,

i am no architect

of my own design,

but i made you a promise once:

that i wouldn't write like all those savants

who claim identity to a country they barely knew

heard stories from the other room

you were a home boarded up,

you are home.

and i knew so little

paper cups

i couldn't tell the difference between

the late-teen, off-key singing in the back

or the radio.

then you,

laying like a tired queen on her throne

your feet pressing up the window

and your chin on your knee

thinking what situations we find ourselves in

you were laughing to yourself

you're still the only one who knows

the state that i was in

or the state that we were driving in.

pouring out of the car.

stumbling up your stairs.

waking up around four

to the sound of your father beating on the door:

"girl, that boy had better be gone soon."

oh, how disappointed he'd have been

my reputation as that boy will always precede me

in my conversations with him.

well, if thats what love really is

four drunk-as-fuck, tired kids

waxing our politics to the sound

of rain playing couplets

on the door awning

that won't come more than more than once

so don't wear your weary eyes out

like dixie cups attached to string,

from one best friends house to the other

we sing,

"will you come this time tomorrow?"